The Director’s job is insane. Let’s face it, you have to be a little bit insane to even attempt it, and when you look at the list of things for which a Director is responsible you could easily talk yourself out of trying. The following is a list of four things to focus on as you enter production. If you can’t do it all, you can at least do these:
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Wanted: a few good Production Assistants
Maybe you’re new to filmmaking. Maybe you don’t know which aspect to explore first. Maybe you’re dying to get involved, but are embarrassed because you don’t know the first thing about making a movie.
Can you walk and talk? If the answer is yes, we’re not only willing to have you on our crew, we need you.
From the crew’s point of view, Production Assistants are the main source of information on a film set. It’s an entry-level job, but an important one. Each day, good PA’s arm themselves with as much information as they can get their hands on – call sheets and shooting schedules, the moment-to-moment whereabouts of every key crew member and the cast, where the bathrooms are, and where and at what time the crew will be eating lunch – and each day they are relied upon to convey that information to everyone who asks. Despite being at the bottom of the film industry food chain, they are expected to know everything and if you do, it can pay off in all kinds of opportunities to learn and network your way to a better job.
Read on to see the PA Checklist…
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Your Best Partner–in-Crime: The Assistant Director
As a Director/Producer, my greatest asset during production (and pre-production, as a matter of fact) is my A.D. As a no-budget, indie filmmaker, you end up doing everything yourself unless you get competent help. If you don’t have a go-to Assistant Director in your contact list, start cultivating one now. While an A.D.’s role on a major feature film is a big, big job, suited for someone unafraid of having a stress-induced heart attack, on a smaller scale here are 5 basic things your AD can do to help carry the load:
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Testimonials
Did anyone mention that this whole thing is just hella fun?
Stan NgEngineerThe real joy is that we’ve been able to share our simple but much-loved story with audiences across the USA. This would not have been possible without Scary Cow.
Drew StephensThis is something special. No one is doing anything like this. It provides an environment for the novice and experienced alike to make movies and to help each other out.
Marc StaymanBusiness ConsultantScary Cow was a great place for me to hone my skills, meet some incredible people, and find an audience for my work. It is a great way to get started if you want to learn to be a filmmaker.
DC KasundraFilmmakerScary Cow is your chance to BE it. Whatever your artistic inclination and wherever your interests lie; movies invite creative and technical input from every imaginable field.
Chris RasmussenThis organization has changed my life. I’ve spent years dreaming about the possibilities of becoming a filmmaker, but it wasn’t until I ran into Scary Cow that it became a reality.
Kira TrinityGraphic DesignScary Cow offers the opportunity to network with other film makers and make films with crew and equipment that you could never afford to hire.
Dave CowlElectrical EngineerScary Cow is probably one of the best models for successful indie filmmaking you will find.
Tom KrymkowskiCinematographerAs a writer, I thought I’d just hand over a script and let somebody else make it. WRONG! I’ve made six shorts (five of which have won money) and have gone from writing to producing to directing. Who knew!
Anton H. GillCPAScary Cow has helped me realize my dream! I have learned a lot and met amazing people through Scary Cow and have gained confidence in my abilities. I now know that this is something I want to do for the rest of my life, all thanks to Scary Cow.
Jamie Sage CottonDomestic Goddess



